The best pictures of the mouth: A Woman of Paris

Item

Title
The best pictures of the mouth: A Woman of Paris
Creator
Odhams Press
Date
1924
Description
This article presents the general storyline and themes of Chaplin's film A Woman of Paris (1923). The article also analyses the three key opening shots of the film, which are, the three opening shots, the indication of the Paris train by the lights on the wall, the clever way the masseuse conveys what she thinks of Marie's tattling friends — even though she never says a word — and the way Chaplin has conveyed the entire relationship of Marie and Pierre by the production of a handkerchief and the drinking of a glass of wine.
A Woman of Paris (1923)
Chaplin The Man
distributors preferred " The Gold Rush " to " A Woman of Paris"
Scholarly Significance
This item is important because it mentions A Woman of Paris is Chaplin's first serious film and the first in which he does not play a role, although he has always produced his own films.
The appearance of this film also represents the fact that Chaplin can not only make good comedies, but he can also make good serious films.
Place
London
Identifier
pictu78odha
Cataloguer
Yuan Yuan

Linked resources

Items with "Description: The best pictures of the mouth: A Woman of Paris"
Title Class
Chaplin The Man Book